2010: A Year In Music Awesomeness: Update 1


Around November time last year I wrote up a long list of all the albums, some confirmed and some rumoured, that were scheduled for 2010 releases (which can be found here). I mentioned that I would keep up to date with how the albums were actually received upon release, and if the anticipation was deserved. Seeing as there have already been a handful of notable releases, as well as important news regarding other 2010 releases, I decided now would be a good time to offer an update on how 2010 is panning out in terms of music awesomeness.

Released Albums:

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Owen Pallett – Heartland

I’ll start things off with an album I didn’t mention in my original post, but one I’ve quickly grown to love. An 80 on Metacritic is a very positive sign from the critics (despite Q stating in their review that the record was by Final Fantasy), and Pallett is starting to step out of the shadows of the bands he has previously attached himself to, with notable success. Personally, I adore the album, its giddy introduction to string-pop is rife with clever lyrics and a capability and control over the music rarely heard from a solo artist. I hope it will inspire a few more artists to invest in violins, especially if they have the ear for pace that Pallett confidently showcases here.

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Vampire Weekend – Contra

The nature of the anger which churns between Vampire Weekend’s fans and haters meant that this would always be a big release. The sophomore record could be fuel on the fire of their negative image as creators of simple, irritating mock-rock, or it could be a musical step forward that makes the detractors sit up and take notice. In the end we got more of the same, the difference being a lack of a killer single to follow “A-Punk”. Reasonably reviewed by the critics, there is a sense that they are doing well at the moment, but some change or evolution would need to be seen come LP3 if they are going to prove themselves as a serious long-term band.

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Yeasayer – Odd Blood

Washing around the Internet for a good two or three months, Yeasayer’s second record is not actually released until tomorrow. Nevertheless, it has caused a stir in a lot of places, and there is much talk of Yeasayer taking Grizzly Bear and Animal Collective’s lead with an equivalent challenging and moody album that still breaks into the fringes of the mainstream. Whilst the singles have certainly gone some way to achieving this, and some tracks have carried on the current trend of subtly dropping pop into supposedly experimental albums, the consistency is not there.

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Beach House – Teen Dream

Beach House made a fairly good impression with their first two albums, but there was a sense of them lacking identity. They were Grizzly Bear mixed with My Brightest Diamond mixed with Portishead mixed with… well… a fair few bands. There is still that feeling surrounding Teen Dream, the difference now being that they have some monster singles to back it up, gorgeous opening track “Zebra” has graced many a late-night show, and the video for “Silver Soul” is no doubt giving them a decent amount of exposure in the right places. Beach House threaten to overtake those they once imitated with powerfully dreamy melodies and almost alien vocals provided impressively by Victoria Legrand.

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News:

As well as the handful of notable releases thus far this year (Spoon and Four Tet deserve a mention), there has been much news. In some cases there has been massive, major news. The National, who have already whetted indie appetites worldwide with the likes of “Karamazov” and “Bloodbuzz, Ohio”, have given a definite May release to their forthcoming album. Not much more details, except that there will be an accompanying tour this spring. Broken Social Scene plan on solidifying the excellence of that particular month, May 3rd specifically, which will feature usual suspects Kevin Drew and Brendan Canning along with their usual ever-shifting background of guests (Leslie Feist amongst them).

Sooner on the horizon than these two albums is a release that threatens to overshadow both of these critically, Laura Marling’s “I Speak Because I Can”, which is out 22nd March. Following “Goodbye England (Covered In Snow)” and the success of her debut, it may be that Marling will be able to break out of the limitations of the folk genre and appeal to the masses. From what I’ve heard, there’s no doubt on the quality, and together with Mumford & Sons’ surprise success, this could be a golden age for British folk.

With Blur’s reunion and superb Glastonbury show out of the way, Damon Albarn can get back to attracting famous friends with a new Gorillaz project. And this time he has outdone himself, the third album, entitled “Plastic Beach”, Mark E Smith, Lou Reed, Mos Def and Bobby Womack (the last two appearing on the impressive single “Stylo”), are just a few of the big names to listen out for.

Fans of harpists/bloody-good-folk will rejoice at the news that Joanna Newsom is to return on 23rd February with “Have One On Me”, and will then be forced to rejoice a second and third time, because Newsom will be releasing a full 3-disc set. Two songs from the 18-track, 126-minute epic, “81” and “Good Intentions Paving Company” have already been made available, giving much reason for anticipation amongst fans of “Ys”, Newsom’s previous album.

Do you need any further reason to love 2010? There are still unconfirmed reports of the likes of Foals, Wolf Parade, Fleet Foxes, of Montreal, Arcade Fire and The Strokes having new albums out this year, plus there are somewhat uncertain, but nevertheless noteworthy, rumours from Stereogum that Radiohead have in fact wrapped up their new album, with a summer release a possibility. Noteworthy indeed…

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About Alex Pavitt
I work in the field of emotion. My tools are instinctual feelings and my laptop is the medium between my brain and the outside world. I deconstruct and rebuild. I imagine. I steal other people's lyrics because somtimes, my own words aren't enough. I spend all of my time somewhere inside my head. I worship Douglas Adams, and in the back of my mind I am always painfully aware that I will never be as good as him or, for that matter, anybody else.

2 Responses to 2010: A Year In Music Awesomeness: Update 1

  1. I totally agree with your comments on the new VM record. I thought the first album was charming, yet the new one means that this charms starting to wear off…
    theapplefallsfarfromthetree.wordpress.com

  2. *VW

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