2010: A Year In Music Awesomeness


I’m going to admit it straight away, I’ve spent a lot of time looking back at the decade that has just passed. I’ve pulled up lists of my favourite songs and albums of the decade, and hunted through the indie scenes’ most loved bands of the 00s for my inspiration. I think I may be beginning to feel the effects of noughties-overdose so, as a remedy to this malignant condition, I bring you a look into the future. Some of the following albums are confirmed, others merely rumoured, but if they do all pop up during the earliest 10% of the brave new decade we are about to encounter, then be thankful. Because it will mean 2010 will surely be an awesome time for good music.

Release Date Confirmed:

Vampire Weekend – Contra (January 12)

The self-titled debut goes down as a guilty pleasure for me. I had a bit of a garage-rock phase, Kings Of Leon and The Strokes and The White Stripes, which I like to think I have sort of got over. The elitist in me scoffs at my youthful folly, but I can’t help but enjoy Vampire Weekend’s energy and hooks, which makes their second album of particular interest to me. By the sounds of the first couple of released tracks, “Horchata” and “Cousins”, Contra will be more of the same, slight but memorable guitar-rock, but whether it will contain a hit the size of “A-Punk” is another matter.

Anticipation Factor: 7/10

Yeasayer – Odd Blood (February 9)

Though I wasn’t the biggest fan of Yeasayer’s debut, All Hour Cymbals, there were one or two tracks that successfully combined the catchiness of pop with eccentric instruments and surreal moods. It is with a mixture of hope and trepidation that I listened to their new offering, Ambling Alp, and it seems that the signs are good for the new album. Provided that Odd Blood shows some consistency, this second record could show Yeasayer step up a league in quality.

Anticipation Factor: 6/10

Massive Attack – Heligoland (February 9)

I should try and stop my brain from considering this to be Massive Attack’s Third. There are similarities, the long gap between albums, the cinematic side-projects, but unlike Portishead, Massive Attack have not had a particularly good pre-release build-up. Splitting The Atom EP was lethargic and mediocre, but the fact is it’s an EP and the material on it was clearly not considered good enough for the album. The odds are high that Massive Attack have a large amount of material stashed away, some of it is bound to be quality. And the cameo list alone (Damon Albarn, Tunde Adebimpe, Martina Topley-Bird, Guy Garvey) is worthy of note.

Anticipation Factor: 7/10

Frightened Rabbit – The Winter Of Mixed Drinks (March 1)

The step up from Sing The Greys to The Midnight Organ Fight was notable, if they could pull off another such leap this could be one of the biggest albums of the year. I’m expecting something on a par with Organ Fight myself, a few more basic bittersweet odes which seem to be their comfort zone. It is interesting to note that the band have hired a fifth member, whose purpose is to provide “various instruments”, which hints at a fuller, more layered sound. This is also backed up by a single, “Swim until You Can’t See Land”, which is a soft, slightly ethereal affair, driven by the sly couplet “are you a man or are you a bag of sand?”

Anticipation Factor: 8/10

Release Date TBA:

The National – Untitled

In an interview with Pitchfork, Bryce Dessner stated that “The album will definitely come out in 2010. It could be early. It’ll be some time between January and May, I think”. If they stick to that then we’re a maximum six months away from a new album by The National. Now I prefer Alligator to Boxer, so in terms of career trajectory they’re actually on a downward slope at the moment in my mind (only by a miniscule amount, of course), but still, if this is on a par with their back catalogue thus far, I would still happily shell out a stupid amount of money to get it the first day. A couple of videos of new tracks being played have surfaced around YouTube (search QTV Runaway for one particularly spellbinding track), and the material seems as strong as ever, although nothing that screams “first single”, which is the sort of track they need if they’re going to get the exposure they deserve. Either way, this is still the album that raises my pulse more than any other pencilled in for 2010.

Anticipation Factor: 10/10

LCD Soundsystem – Untitled

A recent release of “Bye Bye Bayou”, a cover of an Alan Vega track, did little to whet the general appetite for new LCD Soundsystem records, but leaving sensationally understated messages such as “back in nyc. in the studio. making record” on his (legitimate) Facebook page certainly did. No idea which direction it will be going in, what the tracks will sound like, or whether it’ll be more than just 50 minutes of silence. Still, there won’t be long to wait, as it is scheduled for sometime in March, but until then James Murphy will be keeping his filthy electro-rock cards close to his chest.

Anticipation factor: 9/10

Broken Social Scene – Untitled

BSS were in the studio back in May, and as a full band too, rather than the many side projects and split ends that seem to occupy most of Kevin Drew and co’s time. Even they have said it is too early to define the direction of their sound, or whether it is in fact staying in the same place, but the chance are this will be out before May. Not a lot of details on this, and not much new live material to go on, as the band members have been busy being other bands’ band members. Still, this album is worthy of note as Broken Social Scene are finally once again coming together as one entity to record.

Anticipation Factor: 8/10

Rumoured Releases:

Radiohead, Arcade Fire, My Bloody Valentine, Portishead, Wolf Parade, The Strokes

That is a hell of a list. A whole lot of music-lovers would give away prized possessions to see those bands pull out an album from the top of their creative drawers this year. Most of these bands have confirmed that they’re working on new albums, and are aiming for 2010 releases, so we could be seeing these albums popping up around a year from now.

Radiohead are, of course, a law unto themselves, so any attempt to predict their movements seems as futile as predicting the outcome of the LHC. What was “These Are My Twisted Words” anyway, a sign? A red herring? An experiment? A whole new branch of cryptography could be opened up trying to determine Thom Yorke’s methods of madness. In that particular field, I am but an amateur.

Arcade Fire have spent the time since making Neon Bible fairly wisely, writing part of the score for Richard Kelly’s “The Box”, indulging in side-projects and touring, which I hope means they will be able to pull out something less mediocre and tiresome come album three. A return to delicacy over fist-pumping politicking would be a good place to start. Nothing confirmed on album status, but rumour has it they have just spent three weeks recording in the Magic Shop studio. Which is news indeed.

Portishead have confirmed that they plan to release their new album in 2010, although this is of course open to delay, unfortunately. No new material has been released, and it is more likely that the album will not reach us until 2011, but I’d happily wait another 11 years if the end product is as good as Third. If they can build on the darkness and lush agony displayed on their last release then the new album may well be my early contender for best album of the decade 2010s, though.

News on the other three bands there seems to involve less strong words and more hushed whispers. A new My Bloody Valentine record would certainly be an event to make any critic and audiophile alike take a sharp intake of breath. A third Wolf Parade album would hopefully right the wrongs that Second Album Syndrome caused “Mount Zoomer”, and The Strokes IV (as hysterical NME kids dubbed it) would give Casablancas and co.  the opportunity to prove they can go beyond one-trick pony status.

All in all, and even ignoring the inevitable debut stunners of the ilk of Bon Iver and Fleet Foxes, 2010 will be amazing. There will be failures and successes amongst these albums, but the failures will at least be interesting ones, while we, the listeners, will watch over the evolution of some of the current decades best bands into the new decade with perhaps more anticipation than ever before.

EDIT:

How could I have missed out the new Laura Marling album? No title yet, but the new tracks are great live, she seems to have matured lyrically and the full band is being used more effectively than ever. The rumoured February release is not official, but it will surely be out in the first quarter of 2010. A lot of second albums are rushed out due to demands after successful debuts, but a bit of patience never harmed an album, so lets hope theres good reason for the extra few months wait.

Anticipation Factor: Sorry for forgetting you/10

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About Alex Pavitt
I work in the field of emotion. My tools are instinctual feelings and my laptop is the medium between my brain and the outside world. I deconstruct and rebuild. I imagine. I steal other people's lyrics because somtimes, my own words aren't enough. I spend all of my time somewhere inside my head. I worship Douglas Adams, and in the back of my mind I am always painfully aware that I will never be as good as him or, for that matter, anybody else.

3 Responses to 2010: A Year In Music Awesomeness

  1. melissa says:

    Excuse me! Excuse me! Excuse me!

    Where the HELL is Laura Marling on this list?!

  2. Alex Pavitt says:

    *dies of shame*

  3. Pingback: 2010: A Year In Music Awesomeness: Update 1 « Sad Songs For Immature Lovers

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